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Music rights in documentaries
Music is one of the most common legal problems for independent films. A recorded song usually involves at least two sets of rights — the composition and the recording — and festivals, broadcasters and streaming platforms generally ask for proof that every piece has been cleared, along with copies of the licenses. Rights to older songs can be expensive and slow to obtain, so many documentaries use original scores, often written by friends or young composers for little or nothing, with the composer keeping the copyright and granting the film a license to use it. Sound recorded on location — a neighbor singing, street noise, applause — can be the most powerful music a documentary has. Copyright terms for old works differ from country to country, but performers and recordists usually still have rights, so filmmakers ask the singer for written permission too.