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Deadlines, and reading aloud
Translators work to deadlines set in their contracts, and the last stretch of a long book is notoriously the hardest: the endings of novels often slow down, sentences grow longer and dialogue sparser, and fatigue makes every choice harder. Many translators build in time for a full revision after the first draft precisely because the final chapters of a first draft are usually the roughest. Reading a translation aloud — or having someone else read it — is one of the oldest revision tools. A listener stumbles where the rhythm breaks, even without understanding every word, which is exactly what Francesca offers. It is also a way to catch sentences that are grammatically correct but unnatural. The future tenses in this lesson do something English speakers often miss: they guess. Saranno le tre (it must be three), avrà già finito (he's probably finished by now) are everyday Italian for estimating and supposing, and translating them as plain futures is a classic beginner's mistake.